the fact that oppenheimer even exists gives me, like, a moral migraine
like idk in general i can’t judge a movie i haven’t seen but it is 100% possible and fair to draw a line and and say “i don’t care about whatever artistry or craft went into this because the premise is fucking repulsive” and i have to draw it here
im not going to take a movie made by a major U.S. studio using 100 mil a quarter of white hollywood and an action blockbuster style marketing campaign* about how the US came to be able to massacre people — on a scale that makes “massacre” sound like a euphemism — seriously as a work of cinema
i’d rather go see the day the clown cried at my local AMC opening night and spend $20 on top of the ticket on popcorn in a limited edition the day the clown cried bucket and a frozen cola in an XL limited edition the day the clown cried cup, right next to barbie
*including a dramatic countdown to the date and time of the trinity detonation and trailers debuting right before… guardians of the galaxy 3, the one where a cgi raccoon listens to radiohead. shocked they didn’t use “bad guy” as a trailer song
There’s a handful of notes on this going “well fuck you, do you know how hard it is to BE the speaker and not have anyone greet you?” and uh, yes, yes I do, because I did those stupid ass soft skills/resilience/insert other assorted nonsense workshops for schools for a living for a while, and I still agree with this.
The key to being an effective speaker is the ability to understand your audience. You need to understand people in order to build a rapport with them. And you need to build a rapport with them in order to effectively guide them from where they are, to where you need them to be.
So. Here is the situation from the perspective of the audience: this random person, whom they have never met before and do not care about, is being paid by employers/school powers that be to come speak on a thing. In other words, the speaker is the one benefitting from being there. Meanwhile, the audience has likely been ordered to be there, for no immediate, tangible benefit in return. It is early in the morning, they are sleep-deprived and under-caffeinated, they have a shit ton of stuff on their to-do list, they are unconvinced whatever the speaker is going to say is going to be of any use or relevance whatsoever, and so they see this talk as a waste of time that they could instead be spending on sleep or at least finishing off things that are actually necessary for work/school. And now this rando, whom I repeat, is supposed to be the service provider, whose presence is already a pain, is asking for even more effort on the audience’s part by asking them to smile and be chipper. All before saying a single other word that might convince said audience that they are going to get any benefit whatsoever out of being there. Fuck that.
You gotta understand, you are not some rock star that people are already invested in and actively want to see. Those get to do the “scream! I can’t hear you! LOUDER!” thing. The fact of the matter is, you are probably someone your audience has no interest in seeing, and until you give them a reason for wanting to be there, you cannot ask them for even more emotional effort. That’s not going to endear them to you.
I am by no means a particularly great speaker, but I can tell you now that I have gotten far more immediate rapport and engagement by simply going “hello hello, morning, how is everyone?” and then when I get the predictably unenthusiastic mass groaning and grumbling, and unenergetic “morning"s back in return, replying "heh, big mood. It’s final project season innit; how sleep deprived are y'all? –yeouch, intense, well I’ll try my best to keep this as painless as I possibly can; I’m here today to talk about–” etc etc. Simple, sympathetic, and while it’s not the most energetic and enthusiastic thing in the world, it puts me on “their” side and opens a connection that I can build on for the rest of the talk, instead of instantly making my audience feel 10x more tired and hostile.
If you are not a speaker being paid to be there, but are instead someone giving a presentation for an assignment or presenting a paper or whatever, then I’ve found that being sincere and a little self-deprecating, possibly just a tiny bit vulnerable works pretty well: “Oh god, so full disclosure, I don’t speak very often and I’m sweating bullets right now, and also I tend to babble like a bullet train when I’m nervous so if at any point you cannot understand me please ask me to slow down, but I have a thing I need to present, and I think it’s pretty cool, and hopefully you do too.” Your audience has probably been in your shoes before, and are now inclined to be nice to you out of sympathy.
In both cases, it’s about understanding your listeners and where you stand in relation to them and using that to build that initial connection. You cannot demand connection; it never fucking works.
“it’s weird for queer minors to be friends with queer adults” oh my god. ohhh my god.
intergenerational community support, especially in a community that is split so much age wise as the queer community, is immensely fucking important. get to know older queers and younger queers. this is how communities frazzle out and die to infighting.
the hypothetical queer adult that people are mad over in the post this is refrencing is 35 years old. only 35.
its weird for any minors to be friends with any adults, queer or not. There should be no reason why unrelated adults or minors should be making close relationships in any sense outside of professional ones. I understand wanting education, but they can be taught when they are adults as well.
is this a joke.
If you believe there is something inherently wrong with adults being friends with teens, you’ve been brainwashed into believing that every adult sees youth as a form solicitation.
This makes you part of the problem.
As long as you are aware of the boundaries and you act APPROPRIATELY there should be no issues being friends with teens as an adult. As a teen there were many adults who served as role models and responsible figures I could trust when I did not have someone like that in my life and the added perspective was so so important in shaping the person I am today!!
So last week I posted abut the importance of downloading your fic. And then three days later AO3 went down for 24 hours. No one was more weirded out by this than I was. But while y’all were acting like the library at Alexandria was on fire I was reading my download fic and editing chapter eight of Buck, Rogers, and the 21st Century. And also thinking about what I could do to be helpful when the crisis was actually over.
So first off, I’m going to repeat that if you’re going to bookmark a fic, you really need to also download the fic and back it up in a safe place. I just do it automatically now and it’s a good habit to get into.
But let’s talk about some other scenarios. Last October I lost power for over a week after hurricane Ian. Apart from not having internet or A/C I did find plenty to do, I collect books so I had plenty to read, but maybe, unlike me, your favorite comfort reads aren’t sitting on a bookshelf. So let’s do something about that, shall we?
In olden times many long years ago around 1995 we printed off a lot of fic. It was mostly SOP to print a fic you planned to reread and stick it in a three ring binder. And that’s totally valid today too, but you can also make a very nice paperback with a minimum amount of skill and materials.
Let’s start with the download; Go to Ao3 and select your fic, we’ll be working with one of mine. This method works best with one shots, long fic tends to need a more complicated approach. Get yourself an HTML download
Open up the HTML download and select all then copy paste into any word processor. Set the page to landscape and two columns, then change the font to something you find easy to read, this is your book, no judgement. This is all you have to do for layout but I like to play a little bit. I move all the meta, summary, notes to the end and pick out a fun font for the title:
No time like the present to do a quick proofread. Congratulations, you’ve just created your first typeset. On to the fun part.
Now you’re going to need some materials: 8.5x11in paper ruler one sheet of 12x12 medium card stock (60-80lb) scissors pencil pen or fine tip marker sheet of wax paper white glue two binder clips 2 heavy books or 1 brick butter knife
You’ll also need a printer, if you’re in the US there is almost a 100% chance your local library has a printer you can use if you don’t have your own. None of these materials are expensive and you can literally use cheap copy paper and Elmers glue.
Print your text block, one page per side. Fold the first page in half so that the blank side is inside and the printed side out:
use the butter knife to crease the edge. Repeat on all the sheets. When you’ve finished, stack them up with the raw edge on the left and the folded edge on the right. I used standard copy paper, because you’re only printing on one side there’s no bleed to worry about. Take the text block and line everything up. Use the binder clips to hold the raw edge in place.
Wrap the text block in the wax paper so that the raw edge and binder clips are facing out. I’m going to use my home built book press but you don’t need one, a brick or a couple of books or anything else heavy will work fine.
Once the text block is anchored down, take off he binder clips and get out the glue.
You can use a brush but you don’t need one, smear some glue on that raw edge.
Go make a margarita, watch The Mandalorian, call your mother. Don’t come back for at least an hour
In an hour smear some more glue on there and shift your brick forward so that the whole book is covered. This keeps the paper from warping. While glue part 2 is drying we’ll do the cover. Get out your 12x12 cardstock
Mark the cardstock off at 8.5 inches and cut it. Measure in 5.5 inches from the left and put in a score line with the butter knife (the back edge not the sharp edge)
Carefully fold the score line, this is your front cover. You have some options for the cover title, you can use a cutting machine like a cricut if you have one, you can print out a title on the computer and use carbon paper to transfer the text to the cardstock. I was in a mood so I just freehanded that beoch. Pencil first then in pen.
Take your text block out from under your brick. Line it up against the score mark and mark the second score on the other side of the spine
Fold the score and glue the textblock into the cover at the spine. Once the glue dries up mark the back cover with the pencil and then trim the back cover to fit with your scissors.
Voila:
I’m going to put this baby on the shelf next to the Silmarillion.
The whole process, not counting drying time, took less than an hour.
If you want to make a book of a longer fic, I recommend Renegade Publishing, they have a ton of resources for fan-binders.
